Last year I penned a heartfelt tribute to Lilian Gish and that first generation of cinematic ladies who made male hearts swoon, back when it was still gentlemanly to swoon in mixed company. Alas, the big bold number at the top of this article threatens an accusation of sexism if I don’t supply that article’s flip-side in short order. So here you go: five sploosh-worthy gents who first glued eyes to screens.
It’s important to note that the qualifications for being a sex symbol in the 1910’s were somewhat different than today. Washboard abs were barely an asset; Fatty Arbuckle was a lady’s man and he had the body shape of a Barbapapa. Acting back then was all in the eyes, and it was to the eyes that our attention was drawn. I suspect that in 1914, Channing Tatum’s beady greens wouldn’t have made the cut.
The style of acting required for silent film is truly unique; no one knew (or cared) whether these men could sing, or if their voices sounded like a sack of wet noodles being dragged through a frog’s trachea. We say that Hollywood is superficially mired in its obsession with physical looks today (seriously, why has every on-screen cop since Andy Sipowicz been traditionally attractive?), but back then looks was all they had. Looks, and the ability to brood on cue. Gotta have that brooding glare.
Those eyes will look into your soul, rearrange the contents therein and leave you a changed person. This is Sessue Hayakawa, and he was causing hearts to throb before literally any other Hollywood star. In his time – which began about a hundred years ago – he was as popular and beloved to audiences as Charlie Chaplin. Born in Tokyo, Sessue broke down racial barriers before the paint had even dried on their walls. He refused any role that perpetuated schlocky Asian stereotypes, and was thusly thrust into the spotlight when Cecil B. DeMille cast him as the romantic lead in 1915’s The Cheat. Read more…