Despite being physically nothing more than distortions of light and shadow on a few reels of tightly-wound celluloid, a movie can possess the power to frighten free the literal turds from viewers’ backsides. I was eleven or twelve when I first saw Poltergeist, and I remember clearly the electric squirms it blasted through my vertebrae.
I’ve since grown to find I’m more a fan of comedies, documentaries and films involving talking badgers than horror flicks, mostly because I find the tropes of the horror genre to be repetitive. Who dies, who lives – that’s the central question a typical slasher pic makes its audience ask, or in the case of the torture-porn subgenre (the Saw movies and their ilk), how grotesque can the human imagination become when there’s a multimillion-dollar budget at stake?
But some horror films are truly glorious in their ability to capture the human psyche and scare the ever-lovin’ bejeebus out of it. The Exorcist is one; The Ring is (for me) another. And I’ll drop Poltergeist into that column too, despite the fact that I can still only see the film through my eleven (or twelve)-year-old eyes. But there was a lot more to the weirdness of the movie than what we saw on the screen, which is why today it gets a kilograph of its own.
For starters, we can’t even say for certain who directed this thing. Tobe Hooper (in the middle) gets the official credit, and if you ask him, he’ll swear it’s his picture. The guy had made his bones in the horror game, with the gore-fest Texas Chainsaw Massacre under his belt, as well as 1981’s The Funhouse. But if you compare the shot composition, the framing and the overall aesthetic of Poltergeist to those films, it just seems… different somehow. Read more…
Chances are, if you’ve even so much as sneezed in the same room as a computer connected to the internet this week, you’ve absorbed some snippet of World Cup fever. The World Cup is the most watched sporting event in the world – more so than the Olympics, the Super Bowl and the Full-Contact Bare-Knuckle Finger-Jousting Championships combined. And due to the current impressive girth of our pudgy modern internet, which is just right for streaming the games to every interested PC, tablet and phone, they’re predicting this to be the widest audience for anything, ever.
Soccer is the ultimate sport to bridge together the citizens of this floating rock, mostly because the rules are simple and you can make a workable ball out of trash and/or roadkill. It’d be hard for a poor rural village to fashion together functional sticks to play hockey, hoisted-up hoops to play basketball or crudely-crafted anabolic steroids to play baseball. Soccer (or “football” – I know, I know) is where it’s at.
Apart from the degenerate wuss-bags who perform acts of atrocious theatre in hopes of drawing a foul for the other team, soccer really is a great game. And even though I’ll be spending the next few weeks getting caught up on the new season of Orange Is The New Black, I might allow myself to sip just a little bit of the tournament’s excitement. After all, soccer can – in rare cases – get a little weird.
In my neighborhood, local interest for the qualification round of the 1994 Caribbean Cup was pretty much nil. But for fans in Grenada, the January 27 game against Barbados was huge. Having lost to Puerto Rico already, Barbados would have to win by two points in order to advance to the final round and bump Grenada out. For a country perpetually mired in revolutions and/or hurricanes, this was a big deal. Read more…
As a child raised within the warm glowing bosom of television, coming down with a cold had its advantages. A day off meant I’d have access to those glorious programs with the flickering lights, sonorous bells and adrenaline-drenched, screaming contestants. The game shows. Sale of the Century. Card Sharks. The Price Is Right. It was an opportunity to drink in the enthusiasm of strangers winning fabulous prizes. I loved it.
There was no game show that better served the entertainment-starved eyes of a mid-80’s child than Press Your Luck. There was a board with bouncing lights and tempting prizes, players would yell at the fates with the passion of true desperation, and when bad luck would fall, an adorable cartoon creature would worm his way onto the screen and sweep away their money. The Whammy. The contestants hated him, but he was the reason I watched.
Then one day, someone beat the system. A man figured out the guts of the show and changed everything. Meet Michael Larson.
Michael was, according to his own family, an odd man. He drove an ice cream truck in Lebanon, Ohio for at least ten summers, and worked as an air conditioning mechanic for the rest of the year. He had a common-law wife and three kids, but more importantly, he possessed an entrenched belief that he was savvy enough to earn a heap of cash, ideally through legally grey means. When a bank would offer $500 to each new customer, Michael would open an account, take the money, then close the account. He’d then open another under a different name. Michael was the kind of guy who liked to exploit the flaws in the world around him. Read more…